
Today our art of living well has evolved since antiquity in Europe to a residence in Australia through a diverse and special mix of peoples and their cultures.

Modernism is a term the art and design community of our contemporary western world has adopted to describe a diverse range of architectural and interior decorative styles, as well as applied and graphic arts created between approximately 1880 and 1940 on an international scale.

By the eighteenth century in Europe and England all things Chinese had assumed incredible proportions as fashionable society sought to transmit their ideas about the magical land of Cathay through a multiplicity of imagery.

A connoisseur, scholar and devout Buddhist, within the forbidden city Chinese Emperor Qianlong created a luxurious garden compound to serve throughout his retirement as a secluded place of contemplation, repose and entertainment. When the city was shut down following the Chinese revolution of 1911 – 1912 many of its treasures gathered dust for a century. Now, through a great deal of international cooperation and negotiation they have been conserved and sent on tour.

On our You Tube Channel you will find our mini-documentaries, which provide an insight into the evolution of art, design, music, fashion and style.

Today the first Emperor of China’s terracotta army has no battles to fight, but rather it seeks to win the war for China about culture as art. Should they be displayed in an ‘art’ gallery or in a Museum whose premise is about presenting stories of cultural development and history.

Unpretentious, warm and welcoming, the interiors of Provence today reflect the heritage of Provencal life and the Provenceur’s enjoyment of the simple pleasures of life; the sharing of good food, the local wine and the art of good conversation.

Provence until the end of the 15th century was a group of states entirely separate from France. It had its own language, government and a sense of style, with deeply rooted ideas and philosophies first founded in strong traditions. They kept goats and ate fish, grew herbs in abundance, as well as olives which were introduced by the Greeks. With the fabled vitis vinifera grape vine for stock they made wine and became great consumers of wild boar as well as truffles. The oak forests of Provence would have been prime truffle territory then as now. The little slivers of this celestial fungus harbors many of the amusing stories of the region. They were often obtained by nefarious means or through a local truffle fair not listed in any tourist guide.

An antique is something made in a previous era. However, according to antique dealers, their associations and the tax man, it is not really that simple at all.

My favourite trio of boutique style small museums offer a unique experience to the visitor. All are in amazing locations with collections that cover epochs of history from antiquity to the nineteenth century in Europe. The advantage of this type of Museum is you can get up close and personal with very classy collections. And, the bonus is they all offer a special view and perspective on, and of the art and history of man.

The Rococo style was delicately elegant with a distinct preference for asymmetry. It was presided over by France’s King Louis XV’s mistress, Madame du Pompadour, a sophisticated lady of impeccable style.

Today we have our morning cup of tea, or latte, from a cup, or mug without much thought about the ‘China’ we drink it from, because it has become such an integral aspect of twenty first century lifestyle. However, as a commodity, the ceramic ware it derived from, known as porcelain, aided the growth of both the east and western world’s economies and benefited their social and cultural development for centuries.

Chinese ceramics became known to the wider world from the Tang Dynasty (618- 907) onward; the word ‘China’ eventually became the generic name for porcelain

In England, during the second half of the nineteenth century, painter, writer, textile designer and social activist William Morris (1834-1896) became the spiritual leader of a revival in arts and crafts that encompassed all the visual arts, including architecture and interiors.

The decorative arts were never considered secondary by Augustus Welby Pugin. As an architect he might design the structure of a house, church or institution, but he conceived of the building, its fittings and furnishings as a ‘complete work of art.’

Taking tea with Jane Austen is all about stylish good behaviour, propriety and pleasure all coming together in an ultimate blend we would surely all enjoy.