
Today our art of living well has evolved since antiquity in Europe to a residence in Australia through a diverse and special mix of peoples and their cultures.

Modernism is a term the art and design community of our contemporary western world has adopted to describe a diverse range of architectural and interior decorative styles, as well as applied and graphic arts created between approximately 1880 and 1940 on an international scale.

There are no boundaries and no rules really when it comes to designing interiors, only guidelines that should always remain both flexible and practical. And, if it is for yourself, then its decoration must come from the heart.

By the eighteenth century in Europe and England all things Chinese had assumed incredible proportions as fashionable society sought to transmit their ideas about the magical land of Cathay through a multiplicity of imagery.

A connoisseur, scholar and devout Buddhist, within the forbidden city Chinese Emperor Qianlong created a luxurious garden compound to serve throughout his retirement as a secluded place of contemplation, repose and entertainment. When the city was shut down following the Chinese revolution of 1911 – 1912 many of its treasures gathered dust for a century. Now, through a great deal of international cooperation and negotiation they have been conserved and sent on tour.

On our You Tube Channel you will find our mini-documentaries, which provide an insight into the evolution of art, design, music, fashion and style.

We spend at least one third of our lives in bed. Every culture is steeped in customs superstitions and folklore surrounding this unique piece of furniture. But what about the bedroom? When did the bed gain a room of its own? How was it decorated? Where can we begin to relate its story?

Among the cargoes brought into the port of Marseilles in Provence during the mid seventeenth century by the Compagnie des Indes Orientales were desirable cotton prints from India. They consisted of dazzling patterns and striking colours, which captured the imagination.

Unpretentious, warm and welcoming, the interiors of Provence today reflect the heritage of Provencal life and the Provenceur’s enjoyment of the simple pleasures of life; the sharing of good food, the local wine and the art of good conversation.

Provence until the end of the 15th century was a group of states entirely separate from France. It had its own language, government and a sense of style, with deeply rooted ideas and philosophies first founded in strong traditions. They kept goats and ate fish, grew herbs in abundance, as well as olives which were introduced by the Greeks. With the fabled vitis vinifera grape vine for stock they made wine and became great consumers of wild boar as well as truffles. The oak forests of Provence would have been prime truffle territory then as now. The little slivers of this celestial fungus harbors many of the amusing stories of the region. They were often obtained by nefarious means or through a local truffle fair not listed in any tourist guide.

An antique is something made in a previous era. However, according to antique dealers, their associations and the tax man, it is not really that simple at all.

The Raphael Cartoons were made up of a mosaic of hundreds of sheets of paper glued together and then fixed to the wall. Raphael and his assistants would have painted them before they were transported to Brussels to Pietr Van Aelst’s studio, where they would have been cut up into strips for use by the tapestry weavers.

The Rococo style was delicately elegant with a distinct preference for asymmetry. It was presided over by France’s King Louis XV’s mistress, Madame du Pompadour, a sophisticated lady of impeccable style.

“Come tulip come and take color from my cheek” said Eastern Philosopher Mevlana in the thirteenth century when shrubs, bulbs and flowers were flooding into Europe from the near East. They went wild for them, especially Holland, who would make the tulip that grew wild in Anatolia in western Turkey an integral part of both its culture and economy

Captain Arthur Phillip laid the foundation stone of Australia’s first government house within four months of sailing into Port Jackson on January 26 1788 with the first fleet. Against a background of a natural environment its indigenous inhabitants had never disturbed, at the time, it was an assertion of culture in the colonies.

A commission of six tapestries for William Knox D’arcy’s Dining Room at Stanmore Hall in Middlesex illustrates the story of the Holy Grail quest, as told in Sir Thomas Malory’s Morte d’Arthur. They took five years to weave and are considered among the most significant works made during the nineteenth century when romanticism was at its height and they paint a beguiling picture of lovely maidens and dashing knights in a style that was very appealing.