Fashionable costume encompasses all that we wear, including the previously unmentionable undergarments. They have been on show, in the past few decades, on a scale far beyond those who founded the world of fashionable couture could have possibly imagined. From skinny self sacrificing super models to those demanding the use of ‘real people’, costume accommodates a desire to be noticed. It is the look at me, look at me syndrome, which has been in play for thousands of years. Today it collectively reflects a western society in which privacy has been stripped completely bare. But is fashion about more than a frock?
The mirror, more than just glass, has occupied a unique place in his imagination as a site of the divine or demonic, of lucidity or madness. It is the ‘matrix of the symbolic’ and accompanies the human quest to know and understand our identity.
Modernism is a term the art and design community of the contemporary western world has adopted to describe a diverse range of architectural and interior decorative styles, as well as applied and graphic arts, which were created between 1880 and 1940 on an international scale.
Modernism demands that there is a distinction between interior architecture and [...]
Art Deco was the perfect expression of the salons at Paris during the 20’s to the 30’s. It embraced every area of design and the decorative arts including architecture, interiors, furniture, jewellery, painting and graphics, bookbinding, costume, glass and ceramics. Art Deco was about integrating contemporary living with art, and turning life into art, against those consciously working for the undoing of art and its purpose was enjoyment.
During the reign of Augustus (31BC – 14ACE) Rome emerged as an economically successful city with a population approaching one million. To become a free citizen of Rome was considered a great honour.
Whoever you were if you were born within the boundaries of the Roman Empire you had the right to hold the highest office in the State. Under Augustus the concept of an eternal Rome emerged, revealing its link to the legendary past and its promise of a new era.
Greek sculpture was the first, the only ancient art to break free from conceptual conventions, for that of representing men and animals. Artisans wanted to explore consciously how art might imitate nature, or even improve upon it. There was no conscious striving towards realism at first, especially until it was understood to be a possible and desirable goal. This began six centuries before the Christ event.
We’re delighted to announce that for a limited time only, we’re offering the first six parts of our acclaimed course of study, the EVOLUTION OF ART, DESIGN & STYLE to you and your friends absolutely free. We invite your participation and welcome your comment. You can watch them on your computer and enjoy the sumptuous imagery and beautiful music.
Exclusive to Melbourne, European Masters: Städel Museum, 19th-20th Century provides an unprecedented opportunity to see a spectacular group of painting and sculpture masterpieces spanning the dynamic and transforming years of the 19th and 20th century.
American Philosopher Martha C. Nussbaum is the Ernst Freund Distinguished Service Professor of Law and Ethics in the Philosophy Department, Law School, and Divinity School at the University of Chicago. In her short and powerful new book called Not for Profit: Why Democracy Needs the Humanities she makes a passionate case for the importance of the liberal arts at all levels of education. She challenges us all to strive be truly human – ‘to remain childlike, to keep an open mind, to refine an ability to remain humble, to eschew pride and arrogance and to be reverent towards other people and towards the natural world’.
A commission of six tapestries for William Knox D’arcy’s Dining Room at Stanmore Hall in Middlesex illustrates the story of the Holy Grail quest, as told in Sir Thomas Malory’s Morte d’Arthur. They took five years to weave and are considered among the most significant works made during the nineteenth century when romanticism was at its height and they paint a beguiling picture of lovely maidens and dashing knights in a style that was very appealing.