The mirror, more than just glass, has occupied a unique place in his imagination as a site of the divine or demonic, of lucidity or madness. It is the ‘matrix of the symbolic’ and accompanies the human quest to know and understand our identity.

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Venetian maker Jacopo Verzelini was bought to England by Huguenot Jean Carré to improve the quality of glass being produced at his London workshop. After a troubled start Verzelini acquired royal patronage in 1575 when Queen Elizabeth granted him a licence ‘to make drinking glasses in the manner of Murano, on the undertaking that he bring up in the said art and knowledge our natural subjects’.

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Until the early 1900s the volume of snuff produced in China far exceeded that of tobacco for smoking or chewing. Everyone took it – from the poet Alexander Pope to naturalist Charles Darwin, actress Sarah Siddons and the Duke of Wellington. Lord Nelson took large quantities to sea with him, while Napoleon sniffed over seven pounds a month. Physicians made great claims for it, prescribing snuff for headaches, insomnia, toothache, coughs and colds and recommending it as a measure against contagion. Today snuff bottles remain eminently collectible. The enormous variety in materials, subject matter, colour and shape provides a fascinating trail for the dedicated collector.

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One of of the most enduring shows on television since the end of 70’s is about antiques and art. It’s all about finding out if an object is a valuable antique or a worthless copy from someone able to decode its message and decipher the truth about its authenticity and origins.

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