The Rococo style was delicately elegant with a distinct preference for asymmetry. It was presided over by France’s King Louis XV’s mistress, Madame du Pompadour, a sophisticated lady of impeccable style.

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The mirror, more than just glass, has occupied a unique place in his imagination as a site of the divine or demonic, of lucidity or madness. It is the ‘matrix of the symbolic’ and accompanies the human quest to know and understand our identity.

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French painter François Boucher (1703-1770) produced many of the images that we have of the enigmatic Jeanne Antoinette, Marquise de Pompadour, Maîtresse-en-titre, or the official Mistress of Louis XV of France.

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