Brisbane Baroque 2016 – Give a Gift of Great Music for Xmas

Xmas Montage Music & DecorationsToday the measure of great art is not only just about looking, but also about seeing and feeling. It demands that we accept and explore the whole range of human emotions we have available to us.

One way we can do that is through glorious music of the so-called Baroque style (1600 to 1750). Give a gift of great music for Xmas 2015.

Attend one, or all of the great music events, to be held in various venues around Brisbane in Queensland, Friday 8 – Saturday 16 April 2016 at the multi award winning Brisbane Baroque Festival 2016.

Masterminded by Directors Leo Schofield AM and Jarrod Carland with the support of Government, sponsors and supporters, the Brisbane Baroque Festival 2016 will present music from an age when marvellous music revealed all by its purity, reflecting all that was good about life, especially an awakening love of nature.

“… without an audience there can be no art” observes Schofield, the former journalist, advertising professional and director of many great art festivals, who is also renowned for delivering the exceptional, the rare and the beautiful to audiences who lap it up.

Baroque Masked Lady

Sweeping all before it, the Baroque is truly beautiful music, which is all about enriching the mind, spirit and soul.

Due to an established connection with the Gottingen International Festival, the opening opera for the Brisbane Baroque Festival 2016 will be Agrippina by German born London based composer George Frideric Handel (1685-1759).

“It’s a cheeky production,” said Schofield “… its sexual intrigue and political playing, will resonate with contemporary audiences”.

There will be a superb international cast. “They say you’re only as good as your last, however in our case, we believe we’re only as good as our next.” Schofield said.

When this opera premiered first in Venice at the Teatro San Giovanni Grisostomo (Malibran) on 26th December 1709, it was an immediate success. Everyone was full of praise for the quality of the beautiful music, whose words related a tale of scheming in ancient Rome.

Rarely heard down the years since it has today become part of the continuing Handel revival of the late 20th early 21st century.

What is considered Handel’s first operatic master work, Agrippina is full of freshness and musical invention.

Written on Venetian paper in only three weeks of production, with Agrippina Handel adapted some of his own oratorios and cantatas and borrowed music from other sources, which was normal musical practice at the time.

“It’s a masterpiece”, noted Schofield “Handel’s first Italian opera and the first complete staging in Australia.”

Leo-Schofield-at-Wharf

Artistic Director Leo Schofield AM

Handel borrowed extensively from earlier oratorios and cantatas and from works by other composers to complete his wonderful score, including the music of Italian musician Arcangelo Corelli (1653-1713) and King Louis IV of France’s favourite musician Jean-Baptiste Lully (1632-1687).

The French-style overture is a two-part work with a simply thrilling allegro. Five vocal numbers, are also based on earlier works, significantly adapted or reworked.

Julia Lezhneva

Russian soprano Julia Lezhneva

Such great sopranos as Julia Lezhneva, jewel in the crown of Hobart Baroque Festival in April 2014, Simone Kermes and Renee Fleming have recorded some of its most glorious arias and their albums would also make sterling Xmas presents.

They can be found on iTunes and bought individually or in albums.

Greta Bradman

Soprano Great Bradman

The Brisbane Baroque Festival 2016, includes a gala celebration of music both sacred and secular from German composer Johann Sebastian Bach (1685-1750). Bach: Music in the Castle of Heaven will be under the inspired direction of Gordon Hamilton.

Soloists include star soprano Greta Bradman, British tenor Nicholas Scott, virtuoso violinists Ioana Tache and Kristian Winther and renowned Brisbane organist Christopher Wrench join forces with members of the Queensland Symphony Orchestra, directed by a rising star, Australian conductor Jessica Cottis.

Brilliant Italian composer Antonio Vivaldi (1678-1741) left a decisive mark on the final period of Baroque style.

Trained for the priesthood and with red hair, he has become known affectionately as the Red Priest, and his works will feature a great deal in the Brisbane Baroque Festival 2016.

Antique music stand, made of  bronze, on white backgroundThe program will be presented in a variety of venues all over Brisbane city.

This will include the ecclesiastical architectural gems and the finest example of the English Gothic Revival style in Australia St. John’s Anglican Cathedral as well as the Arts and Crafts styled church built of red brick on Red Hill, St. Brigid’s.

In the Concert Hall at the Queensland Performing Arts Centre (QPAC) you will be able to enjoy a number of wonderful concerts, including the virtuoso playing of Mahan Esfahani.

His skills on the harpsichord can be discovered on his recording of German coposer C.P.E. Bach’s Württemburg Sonatas, which garnered a Gramophone Award and a Diapason d’Or.

As well his complete keyboard works of French composer Jean-Philippe Rameau was named in the New York Times Critics’ List of Top Recordings of 2014.

Under the Rotunda at Brisbane City Hall you will be able to enjoy works by the great English composers Henry Purcell (1659-1695) and John Dowland.

Purcell started his brilliant but short career in music as a chorister in the Chapel Royal during the restoration and reign of Charles II and Dowland was a poet of the early music style and an English original.

Music Instruments 17th century

Evaristo Baschenis (1617-1677) 17th Century musical instruments, 1650, oil on canvas, courtesy Pinacoteca dell’Accademia Carrara, Bergamo, Italy

Some of Dowland’s songs dealt with amorous subjects and are lively, animated and emotional, full of subtlety and with brave, bold harmonies

Their works will be coupled with compositions by lesser-known but equally skilled composers such as Matthew Locke, John Playford, John Jenkins and Christopher Gibbons on the Latitude 38: Royal Consort program.

A semi-staged performance of British composer Henry Purcell’s rarely performed opera King Arthur under the glass rotunda in Brisbane City Hall will also be sure to provide a special experience.

Carolyn McDowall, The Culture Concept Circle, 2015

Detail Venetian MaskCheck out the Brisbane Baroque Festival Program 2016 for yourself.

Agrippina Bach: Music in the Castle of Heaven | The Red Priest: Viva Vivica + Vivaldi | King Arthur | Mahan Esfahani | The Art of the Countertenor | Latitude 37: Royal Consort | The Red Priest: Woman of the Pieta | Red Priest at the Red Church on Red Hill | [email protected] Series | All Stops Out

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