The Queensland Art Gallery (QAGOMA) from June 15 – October 13, 2019, will present an exhibition of some one hundred colourful works, celebrating the life and legacy of much loved Australian Artist Margaret Olley (1923-2011).
During her lifetime, Margaret Olley became living proof of the power of one, becoming a philanthropist. She shared her good fortune with others, she established the Margaret Olley Art Trust to donate works of art to public collections throughout Australia.
The exhibition highlights works she generously gifted to public institutions, including pictures by European artists Paul Cezanne, Pierre Bonnard, Giorgio Morandi, Pablo Picasso, Edouard Vuillard and others.
Margaret Olley also formed relationships for life with notable Australian artists of her age. They included such luminaries as Jeffrey Smart, William Dobell and Donald Friend, as well as contemporary artist Ben Quilty.
Quilty’s delightful portrait of his mentor and friend won for him the Archibald Prize in 2011.
He said at the time…
‘…Margaret has had such a powerful bearing on my career…
… she has asked me constantly for years to stop painting ugly skulls and to paint something beautiful.’
The first major survey of his works will also be on show, 29 June – 13 October 2019.
Both exhibitions will be FREE ENTRY.
Margaret Olley had an incredible ability to descend into the very depths of her spirit and soul to reveal beauty’s essence. She knew what she liked, what she wanted, embraced it and went out and made it happen.
Quite literally the indomitable spirit of art in Australia, Margaret Olley produced many colourful paintings of interiors, which remain today as an insightful and enduring legacy to a full life well-lived in her own habitat, and on her own terms.
Travelling and living abroad, as well as at home between Brisbane, Newcastle and Sydney in Australia over the years following World War II, Margaret Olley gradually became the gregarious, generous and glorious character we all adored, who had… an absolute obsession to paint.
She said “…I go to bed and I can’t wait to wake up and be painting again.”
Born in rural NSW at Lismore near the Queensland border, Margaret Olley attended boarding school at Somerville House, in Brisbane. This is where her love for painting was first nurtured and then expanded when she attended Brisbane Central Technical College in 1941.
It was 1942 when she moved to Sydney to enroll in a diploma of art at East Sydney Technical College (later National Art School) where she graduated with first-class honours.
Fortunate enough to enjoy the privilege of spending time with Margaret Olley during her later life at her wonderful studio in Paddington, Sydney, I enjoyed gaining an insight into her truly remarkable inner fortitude, great skill set and wondrous painter’s eye.
This happened when I was visiting Sydney from Brisbane, 2000 – 2010 where I was working in the world of visual and performance arts.
We had first met when I was a Secretary of the NSW Antique Dealers Association and a founding Director of the Australian Antique Dealer’s Association because Margaret was also a dealer in those days.
We had a great friend in common, antiques guru Martyn Cook (1958-2019) who bought us back together as we ‘aged’.
Loved going to visit her studio. At that time it was filled with the ceramics, sculptural pieces and many of the flower arrangements that would turn up in her marvelous paintings, which had so much heart.
The atmosphere was like being in a great Baroque setting, one overflowing with abundance and joy with at its essence a wonderful woman, who not only embraced the pursuit of pathos, that interior universe to which we are drawn attracted by life’s complexities and contradictions but also understood its many shades and nuances.
She had a giant intellect and we always enjoyed a lively debate about a subject that was current, or what constituted art in the contemporary age.
At QAGOMA there will be a focus on her early post-war paintings, including when she lived on Spring Hill, where I was living at the time I met up with her again.
On opening day, there will be pop-up performances and hand-on workshops, including a talk by her agent for decades Philip Bacon, principal of Internationally-recognised Philip Bacon Galleries, who will reflect on their long friendship and business relationship.
FREE daily guided tours of the exhibition will take place from June 17, at 11.00 am.
Carolyn McDowall, The Culture Concept Circle, 2019
15 June to 13 October 2019
GOMA | GALLERY 1.1 THE FAIRFAX GALLERY,
GOMA FOYER |
29 June to 13 October 2019
GOMA | GALLERY 1.2, GALLERY 1.3 ERIC & MARION TAYLOR GALLERY