A description of the manufacture of porcelain in 1713 by French Jesuit priest Father D’Entrecolles, a resident in Peking, relates the firing of blue and white porcelain ‘A beautiful blue colour appears on the porcelain after having been lost for some time. When the colour is first painted on, it is pale black; when it is dry and the glaze has been put on it, it disappears entirely and the porcelain seems quite white, the colour being buried under the glaze. But the fire makes it appear in all its beauty, almost in the same way as the natural heat of the sun makes the most beautiful butterflies, with all their tints, come out of their eggs’. Blue and White wares would become the most popular associated with the Ming dynasty and China, although it was technological advances during the Ming period that allowed development of superb coloured wares as well.
Carolyn McDowall FRSA has gained considerable experience and business acumen in her professional career. An independent cultural and social historian, Carolyn is an interior designer by trade. She has been involved in the creative sector for over thirty years in Australia; completing interior design projects, creating and producing innovative corporate and not-for profit (social profit) community events. She has over that time continuously conducted independent research , while designing, developing, and producing educational art and design history programs in conjunction with renowned specialist colleagues.